 |
Sorry about that, Chief. |
Would you believe...? |
The old ********* trick. |
Missed me by that much. |
And...loving it. |
I asked you not to tell me that. |
That's the second-biggest ********
I've ever seen. |
Yes, well... |
I hope I wasn't out of line with that crack about ******** |
This is KAOS. We don't ******** here. |
| Mr. Big |
|
 |
|
|
|
|
|
|
|
|
| Diplomat's Daughter |
|
|
|
|
|
|
|
|
|
|
| School Days |
|
|
|
|
|
|
|
|
|
|
| Our Man in Toyland |
|
|
|
|
|
|
|
|
|
|
| Now You See Him, Now You Don't |
|
|
|
|
|
|
|
|
|
|
| Washington 4, Indians 3 |
|
|
|
|
|
|
|
|
|
|
| KAOS in Control |
|
|
|
|
|
|
|
|
|
|
| The Day Smart Turned Chicken |
|
|
|
|
|
|
|
|
|
|
| Satan Place |
|
|
|
|
|
|
|
|
|
|
| Our Man in Leotards |
|
|
|
|
|
|
|
|
|
|
| Too Many Chiefs |
|
|
|
|
|
|
|
|
|
|
| My Nephew the Spy |
|
|
|
|
|
|
|
|
|
|
| Aboard the Orient Express |
|
|
|
|
|
|
|
|
|
|
| Weekend Vampire |
|
|
|
|
|
|
|
|
|
|
| Survival of the Fattest |
|
|
|
|
|
|
|
|
|
|
| Double Agent |
|
|
|
|
|
|
|
|
|
|
| Kisses for KAOS |
|
|
|
|
|
|
|
|
|
|
| The Dead Spy Scrawls |
|
|
|
|
|
|
|
|
|
|
| Back to the Old Drawing Board |
|
|
|
|
|
|
|
|
|
|
| All in the Mind |
|
|
|
|
|
|
|
|
|
|
| Dear Diary |
|
|
|
|
|
|
|
|
|
|
| Smart, the Assassin |
|
|
|
|
|
|
|
|
|
|
| I'm Only Human |
|
|
|
|
|
|
|
|
|
|
| Stakeout on Blue Mist Mountain |
|
|
|
|
|
|
|
|
|
|
| The Amazing Harry Hoo |
|
|
|
|
|
|
|
|
|
|
| Hubert's Unfinished Symphony |
|
|
|
|
|
|
|
|
|
|
| Ship of Spies |
|
|
|
|
|
|
|
|
|
|
| Shipment to Beirut |
|
|
|
|
|
|
|
|
|
|
| The Last One in Is a Rotten Spy |
|
|
|
|
|
|
|
|
|
|
| Anatomy of a Lover |
|
|
|
|
|
|
|
|
|
|
| Strike While the Agent Is Hot |
|
|
|
|
|
|
|
|
|
|
| A Spy for a Spy |
|
|
|
|
|
|
|
|
|
|
| The Only Way to Die |
|
|
|
|
|
|
|
|
|
|
| Maxwell Smart, Alias Jimmy Ballantine |
|
|
|
|
|
|
|
|
|
|
| Casablanca |
|
|
|
|
|
|
|
|
|
|
| The Decoy |
|
|
|
|
|
|
|
|
|
|
| Hoo Done It |
|
|
|
|
|
|
|
|
|
|
| Rub-a-Dub-Dub...Three Spies in a Sub |
|
|
|
|
|
|
|
|
|
|
| The Greatest Spy on Earth |
|
|
|
|
|
|
|
|
|
|
| Island of the Darned |
|
|
|
|
|
|
|
|
|
|
| Bronzefinger |
|
|
|
|
|
|
|
|
|
|
| Perils in a Pet Shop |
|
|
|
|
|
|
|
|
|
|
| The Whole Tooth and... |
|
|
|
|
|
|
|
|
|
|
| Kiss of Death |
|
|
|
|
|
|
|
|
|
|
| It Takes One to Know One |
|
|
|
|
|
|
|
|
|
|
| Someone Down Here Hates Me |
|
|
|
|
|
|
|
|
|
|
| Cutback at CONTROL |
|
|
|
|
|
|
|
|
|
|
| The Man from Yenta |
|
|
|
|
|
|
|
|
|
|
| The Mummy |
|
|
|
|
|
|
|
|
|
|
| The Girls from KAOS |
|
|
|
|
|
|
|
|
|
|
| Smart Fit the Battle of Jericho |
|
|
|
|
|
|
|
|
|
|
| Where-What-How-Who Am I? |
|
|
|
|
|
|
|
|
|
|
| The Expendable Agent |
|
|
|
|
|
|
|
|
|
|
| How to Succeed in the Spy Business Without Really Trying |
|
|
|
|
|
|
|
|
|
|
| Appointment in Sahara |
|
|
|
|
|
|
|
|
|
|
| Pussycats Galore |
|
|
|
|
|
|
|
|
|
|
| A Man Called Smart |
|
|
|
|
|
|
|
|
|
|
| The Spy Who Met Himself |
|
|
|
|
|
|
|
|
|
|
| Viva Smart |
|
|
|
|
|
|
|
|
|
|
| Witness for the Persecution |
|
|
|
|
|
|
|
|
|
|
| The Spirit Is Willing |
|
|
|
|
|
|
|
|
|
|
| Maxwell Smart, Private Eye |
|
|
|
|
|
|
|
|
|
|
| Supersonic Boom |
|
|
|
|
|
|
|
|
|
|
| One of Our Olives Is Missing |
|
|
|
|
|
|
|
|
|
|
| When Good Fellows Get Together |
|
|
|
|
|
|
|
|
|
|
| Dr. Yes |
|
|
|
|
|
|
|
|
|
|
| That Old Gang of Mine |
|
|
|
|
|
|
|
|
|
|
| The Mild Ones |
|
|
|
|
|
|
|
|
|
|
| Classification: Dead |
|
|
|
|
|
|
|
|
|
|
| The Mysterious Dr. T |
|
|
|
|
|
|
|
|
|
|
| The King Lives? |
|
|
|
|
|
|
|
|
|
|
| The Groovy Guru |
|
|
|
|
|
|
|
|
|
|
| The Little Black Book |
|
|
|
|
|
|
|
|
|
|
| Don't Look Back |
|
|
|
|
|
|
|
|
|
|
| 99 Loses CONTROL |
|
|
|
|
|
|
|
|
|
|
| The Wax Max |
|
|
|
|
|
|
|
|
|
|
| Run, Robot, Run |
|
|
|
|
|
|
|
|
|
|
| Operation Ridiculous |
|
|
|
|
|
|
|
|
|
|
| Spy, Spy, Birdie |
|
|
|
|
|
|
|
|
|
|
| The Hot Line |
|
|
|
|
|
|
|
|
|
|
| Die, Spy |
|
|
|
|
|
|
|
|
|
|
| The Reluctant Redhead |
|
|
|
|
|
|
|
|
|
|
| The Impossible Mission |
|
|
|
|
|
|
|
|
|
|
| Snoopy Smart vs. the Red Baron |
|
|
|
|
|
|
|
|
|
|
| Closely Watched Planes |
|
|
|
|
|
|
|
|
|
|
| The Secret of Sam Vittorio |
|
|
|
|
|
|
|
|
|
|
| Diamonds Are a Spy's Best Friend |
|
|
|
|
|
|
|
|
|
|
| The Worst Best Man |
|
|
|
|
|
|
|
|
|
|
| A Tale of Two Tails |
|
|
|
|
|
|
|
|
|
|
| The Return of the Ancient Mariner |
|
|
|
|
|
|
|
|
|
|
| With Love and Twitches |
|
|
|
|
|
|
|
|
|
|
| The Laser Blazer |
|
|
|
|
|
|
|
|
|
|
| The Farkas Fracas |
|
|
|
|
|
|
|
|
|
|
| Temporarily Out of CONTROL |
|
|
|
|
|
|
|
|
|
|
| Schwartz's Island |
|
|
|
|
|
|
|
|
|
|
| One Nation Invisible |
|
|
|
|
|
|
|
|
|
|
| Hurray for Hollywood |
|
|
|
|
|
|
|
|
|
|
| The Day They Raided the Knights |
|
|
|
|
|
|
|
|
|
|
| Tequila Mockingbird |
|
|
|
|
|
|
|
|
|
|
| I Shot 86 Today |
|
|
|
|
|
|
|
|
|
|
| Absorb the Greek |
|
|
|
|
|
|
|
|
|
|
| To Sire, With Love |
|
|
|
|
|
|
|
|
|
|
| Shock It to Me |
|
|
|
|
|
|
|
|
|
|
| Leadside |
|
|
|
|
|
|
|
|
|
|
| Greer Window |
|
|
|
|
|
|
|
|
|
|
| The Not-So-Great Escape |
|
|
|
|
|
|
|
|
|
|
| Pheasant Under Glass |
|
|
|
|
|
|
|
|
|
|
| Ironhand |
|
|
|
|
|
|
|
|
|
|
| Valerie of the Dolls |
|
|
|
|
|
|
|
|
|
|
| Widow Often Annie |
|
|
|
|
|
|
|
|
|
|
| The Treasure of C. Errol Madre |
|
|
|
|
|
|
|
|
|
|
| Smart Fell on Alabama |
|
|
|
|
|
|
|
|
|
|
| And Baby Makes Four |
|
|
|
|
|
|
|
|
|
|
| Physician Impossible |
|
|
|
|
|
|
|
|
|
|
| The Apes of Rath |
|
|
|
|
|
|
|
|
|
|
| Age Before Duty |
|
|
|
|
|
|
|
|
|
|
| Is This Trip Necessary |
|
|
|
|
|
|
|
|
|
|
| Ice Station Siegfried |
|
|
|
|
|
|
|
|
|
|
| Moonlighting Becomes You |
|
|
|
|
|
|
|
|
|
|
| House of Max |
|
|
|
|
|
|
|
|
|
|
| Rebecca of Funny-Folk Farm |
|
|
|
|
|
|
|
|
|
|
| The Mess of Adrian Listenger |
|
|
|
|
|
|
|
|
|
|
| Witness for the Execution |
|
|
|
|
|
|
|
|
|
|
| How Green Was My Valet |
|
|
|
|
|
|
|
|
|
|
| And Only Two Ninety-Nine |
|
|
|
|
|
|
|
|
|
|
| Smartacus |
|
|
|
|
|
|
|
|
|
|
| What's It All About, Algie? |
|
|
|
|
|
|
|
|
|
|
| Hello Columbus, Goodbye America |
|
|
|
|
|
|
|
|
|
|
| Do I Hear a Vaults |
|
|
|
|
|
|
|
|
|
|
| I Am Curiously Yellow |
|
|
|
|
|
|
|
|
|
|
